An interview with Hemingway, 1958
by Sami Bennett
INTERVIEWER: Could you say something of this process [of writing]? When do you work? Do you keep to a strict schedule?
ERNEST HEMINGWAY: When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again. You have started at six in the morning, say, and may go on until noon or be through before that. When you stop you are as empty, and at the same time never empty but filling, as when you have made love to someone you love. Nothing can hurt you, nothing can happen, nothing means anything until the next day when you do it again. It is the wait until the next day that is hard to get through.
… INTERVIEWER: But are there times when the inspiration isn’t there at all?
HEMINGWAY: Naturally. But if you stopped when you knew what would happen next, you can go on. As long as you can start, you are all right. The juice will come.
INTERVIEWER: Finally, a fundamental question: as a creative writer what do you think is the function of your art? Why a representation of fact, rather than fact itself?
HEMINGWAY: Why be puzzled by that? From things that have happened and from things as they exist and from all things that you know and all those you cannot know, you make something through your invention that is not a representation but a whole new thing truer than anything true and alive, and you make it alive, and if you make it well enough, you give it immortality. That is why you write and for no other reason that you know of. But what about all the reasons that no one knows?